The Perfect Set: Finding, Building, or Imagining Using CGI Services
For a photographer, the world in which your subject lives is as important as the subject itself. When shooting a product for an advertiser, you must decide how to present the product, and in what type of environment. Where a product is set establishes a mood for the viewer whether on a conscious our subconscious level.
Next, you must decide how to produce that environment. There are basically three ways to go. You can find a location that fits your needs. You can build a set in a studio. Or, you can create a computer-generated image or CGI. There are pros and cons to each, so why not let TRG help you decide on the best direction for your project?
The Perfect Set: Shooting on Location
There are many reasons to select an existing location in which to shoot, but usually time and money rise to the top. Finding a location that works such as a home kitchen, an office building, or a supermarket, saves you the time of building from scratch. Imagine trying to recreate something as complex as a grocery store checkout line. Shooting on location means most of the work is done for you.
A location scout can find a selection of locations for a photographer to choose from. And usually a location fee is paid to a homeowner or store owner. Retailers may, however, require you to shoot after hours so as not to disturb customers and that may call for overtime for any additional crew. But these expenses are minimal compared to building a set.
Finding an existing set is also a huge timesaver. What if your shoot was for a furniture polish and the idea was to show how even churches use the product on their pews. Building or recreating a sanctuary in CGI would take a lot of precious time when most church leaders would love to let you shoot on location for a donation.
Still, a location can be close to perfect but still need some tweaking. Perhaps a faucet needs switching out to create the right look, or a color scheme is wrong for the lighting. This may require a little more from your budget to make it right in post or to convince a homeowner to allow you to be that invasive.
The Perfect Set: Building from Scratch
When you build a set, the main advantage is control. You can control the color, the décor, the dimensions, and even the amount of time you can stay.
Other advantages include lighting, which is more easily manipulated as you won’t have to deal with windows with sun streaming in. Sometimes you may be shooting in the fall for a spring release. You don’t want leafless trees peeking through windows and giving you away. With a created set you can eliminate windows or use a simulated background for the appropriate season.
Also by building a set, you remove the pressure to be in and out as quickly as possible. You are not invading someone’s home or store, so you can take more time with lighting and propping. And if you need to create multiple rooms in one area, you have less time between shots as there’s no breakdown or traveling between shots.
The downsides to building a set are of course, the cost of the materials. Plus, you’ll also want to hire a set designer unless you’re shooting on a white “cyc” or background. With an existing location, you need only to prop out what’s there. The cost of your set designer or prop stylist is significantly less if you don’t need to build from scratch.
The Perfect Set: Using CGI
One of the main perks of using CGI is not only control over the environment but longevity. If the setting is something needed for multiple uses with multiple angles and props over time, this makes it easier to revisit. When a setting is too cost-prohibitive to build such as a lush bedroom in Beverly Hills or a penthouse view from a New York apartment, CGI may make life simpler than trying to find something so specific at a reasonable location fee.
Also, CGI gives you flexibility to change colors and styles with a click. Perhaps you’re shooting a cabinet line for Ikea and you want to use the same kitchen setting, but cutting from one cabinet style to the next. You certainly wouldn’t want to build 50 identical sets with different cabinets.
Plus, CGI gives you the ability to have the 4th wall. When building a set, you have 3 walls and an open space where your camera and crew are positioned. With CGI, you can generate a 360 pan around a room and voila, no camera in sight.
The biggest downside with CGI is time. Imagining and creating a realistic set takes time, and that is often not an option with your clients. But if the time is available, there is much to be gained with using this method of creating a set.
With each project you need to weigh your options, your deadline, and your budget to determine which method will work best. All three of these offer advantages and disadvantages. However, you must determine where you have the highest level of control and flexibility for each situation.