CATEGORY: COMPOSITE IMAGERY

We’re often asked to provide estimates on multimedia projects without having a proper discussion about them first. Learn why this does you and your project a disservice.

Easily understood information in small doses, so you can get the info you need and move on with your day.

As a former retoucher I generally see the need for every single image to be retouched to some degree. There are so many subtle things that can be done to improve the attractiveness of an image that it just seems silly to me to not take advantage of it. However, if you were to pin me down and list the five projects that need to be retouched no matter what, I'd give you the following examples.

We have said time and time again that we are obsessed with amazing imagery. It's not just a tagline we tell people; we have a building full of people crazy for amazing images. When we get a call from a client with a very unique or interesting concept for images, it sets the studio abuzz with excitement. We want to share a really cool project with you that did just that recently.

Projects that consist of heavy compositing are often our favorite projects in the studio, for several reasons.

From time to time TRG is asked to do spec images for our clients that they then use to try and get approval for a job. Whether we pass on jobs like these or accept them depends on many factors. These projects are usually pretty basic proof of concepts, but sometimes they are more than that. We'd like to share a project with you that we did recently that was particularly notable.

Compositing can turn ideas into realistic imagery. Learn about five creative ideas that turned into real compositing projects.

How do you become a photo retoucher? We share the stories from five of our retouchers and how they ended up in the field. 

Last fall TRG Reality teamed up with Wyse Advertising to create kiosk ads for Medical Mutual in Greater Cleveland.  The ads featured the signature look of our favorite football team’s colors and helmet stripes.

Just when our CGI team thought they’d seen it all, we were challenged to make the Aflac duck not only water-ski but also rock climb, lift weights, and read a map in the sidecar of a motorcycle.